Over the course of his career, Erwin Wurm has radically expanded conceptions of sculpture, space and the human form. His sculptures straddle abstraction and representation, presenting familiar objects in a surprising and inventive way that prompts viewers to consider them in a new light. He often explores mundane, everyday decisions as well as existential questions in his works, focusing on the objects that help us cope with daily life and through which we ultimately define ourselves. These include the material objects that surround us – the clothes we wear, the cars we drive, the food we eat and the homes we live in.

With his One-Minute Sculptures – in which, using simple props, the viewer becomes the artwork for a limited time – Wurm erases the boundary between sculpture and viewer. The static presence of the sculpture is reversed, becoming instead a participatory process that incorporates the viewer’s own body.

Wurm achieves a transformation in the opposite direction when objects or forms in his work assume distinctly human attributes.